Table of Contents
- Dedication
- [About this Electronic Edition and its Authenticity]
- [Portrait of author]
- Preface to the Second and Revised Edition, 1884, by the Editor [Abbott]
Part 1: This World
- Of the Nature of Flatland
- Of the Climate and Houses in Flatland
- Concerning the Inhabitants of Flatland
- Concerning the Women
- Of Our Methods of Recognizing one another
- Of Recognition by Sight
- Concerning Irregular Figures
- Of the Ancient Practice of Painting
- Of the Universal Colour Bill
- Of the Suppression of Chromatic Sedition
- Concerning our Priests
- Of the Doctrine of our Priests
Part 2: Other Worlds
- How I had a Vision of Lineland
- How I vainly tried to explain the nature of Flatland
- Concerning a Stranger from Spaceland
- How the Stranger vainly endeavored to reveal to me in words the mysteries of Spaceland
- How the Sphere, having in vain tried words, resorted to deeds
- How I came to Spaceland and what I saw there
- How, though the Sphere shewed me other mysteries of Spaceland, I still desired more; and what came of it
- How the Sphere encouraged me in a Vision
- How I tried to teach the Theory of Three Dimensions to my Grandson, and with what success
- How I then tried to diffuse the Theory of Three Dimensions by other means, and of the result
About this Electronic Edition and its Authenticity
This electronic version of Flatland is transcribed from the second edition (1884) of the original text. It appears that this is the most common (or perhaps the only) edition found on the internet. I may make corrections from time to time if I discover errors in this version. If so, such corrections will be based on my sixth edition (1952) paperback copy.Introductory remarks by authors other than Abbott have been removed from this version and from most other versions found on the internet, the reason being such remarks are still protected by copyright law. Only the Preface, which was written by Abbott, remains.
I am not a big fan of electronic books, especially elegant books such as this. Flatland, in my humble opinion, is best read the old fashioned way - turning pages while sitting under an oak tree. Something is lost in the translation when the book is read through such a sterile means as this. Yet, surprisingly few people have read or even heard of this Masterpiece, and what better way of spreading the word of the great Chromatic Sedition than through the internet? Thus, I've joined the ranks of the many others who have posted this novel in the hopes that doing so will help insure future generations are exposed to one of the most amazing and inspiring books I've ever encountered. Enjoy!
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